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About Adrianne Pieczonka

See 17 performances featuring Adrianne Pieczonka
Voice type: Soprano
Future engagements in our database:
Past performances in our database:
Amelia Grimaldi in Simon Boccanegra (Metropolitan Opera, 2010)
Arabella (Vienna State Opera, 2010)
Arabella (Vienna State Opera, 2011)
Desdemona in Otello (Deutsche Oper Berlin, 2011)
Elisabeth of Valois, Queen of Spain in Don Carlos (Deutsche Oper Berlin, 2012)
Elsa von Brabant in Lohengrin (Bavarian State Opera, 2011)
Feldmarschallin in Der Rosenkavalier (Vienna State Opera, 2010)
Floria Tosca in Tosca (San Francisco Opera Company, 2009)
Floria Tosca in Tosca (Deutsche Oper Berlin, 2011)
Floria Tosca in Tosca (Canadian Opera, 2012)
Madame Lidoine, the new prioress in Dialogues des Carmélites (Canadian Opera, 2013)
Primadonna (Ariadne) in Ariadne auf Naxos (Vienna State Opera, 2009)
Primadonna (Ariadne) in Ariadne auf Naxos (Canadian Opera, 2011)
Primadonna (Ariadne) in Ariadne auf Naxos (Bavarian State Opera, 2013)
Primadonna (Ariadne) in Ariadne auf Naxos (Bavarian State Opera, 2011)
Senta in Der fliegende Holländer (Opéra de Paris, 2010)
Senta in Der fliegende Holländer (Vienna State Opera, 2011)

Read our reviews

Date and venueTitle
8-May-2013
Four Seasons Centre for the Performing Arts
The stark glory of Robert Carsen's Dialogues des Carmélites with Canadian Opera Company
Image credit: Madame Lidoine with nuns © Michael CooperFrancis Poulenc’s 1957 opera Dialogues des Carmélites has the virtues of necessity. Director Robert Carsten’s production puts these virtues before us in simple black and white. The virtues begin with the story: Blanche, an aristocrat afraid of the French Revolution who hopes to find refuge in a nunnery, becomes a refugee of religious persecution, and chooses to die a martyr with her sisters. The story is told with a minimum of props and no end of imaginative staging, lighting and costumes.
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31-Jul-2012
Bayreuther Festspielhaus
Musically outstanding but landlocked: Der Fliegende Holländer in Bayreuth
Image credit: Samuel Youn as the Dutchman, Adrienne Pieczonka as Senta; Photo by Enrico Nawrath © Bayreuther FestspeileFor any opera lover, a first visit to Bayreuth is something of a pilgrimage to the holy land. Musically, I wasn’t disappointed, as the Dutchman’s leitmotif rose softly from the invisible orchestra, soon to be enveloped by the swirling storm brewed up by Wagner and conductor Christian Thielemann. The orchestra here is one of extraordinary virtuosity, and Thielemann is a thoughtful conductor who knows his Wagner backwards, forwards and sideways.
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