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About Alexandrina Pendatchanska

See 4 performances featuring Alexandrina Pendatchanska
Voice type: Soprano
Future engagements in our database:
Past performances in our database:
Agrippina (Staatsoper Berlin, 2013)
Agrippina (Staatsoper Berlin, 2010)
Arminda in La Finta Giardiniera (Theater an der Wien, 2010)
Arminda in La Finta Giardiniera (Staatsoper Berlin, 2012)
Arminda in La Finta Giardiniera (Staatsoper Berlin, 2013)
Elisabetta in Maria Stuarda (Canadian Opera, 2010)
Fiordiligi in Così fan tutte (La Monnaie | De Munt, 2010)
Fiorilla in Il turco in Italia (the Turk in Italy) (Staatsoper Berlin, 2009)
Fiorilla in Il turco in Italia (the Turk in Italy) (Staatsoper Berlin, 2011)

Read our reviews

Date and venueTitle
14-May-2013
Salle Pleyel
René Jacobs and the Akademie für Alte Musik Berlin triumph with Agrippina in Paris
Image credit: René Jacobs © Marco BorggreveOne thing is for sure: whether you like Baroque opera or not, you will never be bored by an opera conducted by René Jacobs. By shaking up convention with his subtle readings, sometimes even rewriting the composer’s score, the Belgian conductor is the one of those rare few who always find an elegant way to bring the repetitive mannerisms of the Baroque to life.
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27-Feb-2012
Theater an der Wien
Telemaco’s Desert Island Disc
Image credit: Bejun Mehta (Telemaco), Anett Fritsch (Merione), extras & Arnold Schoenberg Chor, © Armin BardelWith two happy endings, two recognition scenes, and a second act that seems more of a self-contained sequel than a conclusion to the first, Gluck’s Telemaco has come in for a musicological pasting over the years for its alleged weaknesses of dramatic content and construction. But the counter-appraisal has been just as forceful, with claims that a credible and beguiling whole can be made of its disjointed dramaturgy and stylistic diversity. After seeing this opera for the first time, I’m persuaded that the second view isn’t merely special pleading.
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