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About Kelley O'Connor

See 7 performances featuring Kelley O'ConnorSee 1 video-on-demand performances featuring Kelley O'Connor
Voice type: Mezzo-soprano
Past performances in our database:
Federico García Lorca in Ainadamar (Madrid Opera, 2012)
Suzuki in Madama Butterfly (Boston Lyric Opera, 2012)
Ursula in Béatrice et Bénédict (Opera Boston , 2011)
Ursula in Béatrice et Bénédict (Opera Boston , 2011)

Read our reviews

Date and venueTitle
16-Mar-2013
Barbican Centre: Hall
The Gospel according to Peter Sellars: The LA Phil bring a European première to the Barbican
Image credit: European première of The Gospel According to the Other Mary at the Barbican © Keith SheriffHave you heard the good news? The Los Angeles Philharmonic have recently formed a partnership with the Barbican, and they were strutting their impressive stuff in London last week for their first International Associate Residency. Also: Christ died for our sins and was reborn.
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17-Jan-2013
Birmingham Symphony Hall
Springtime and the sea with Edward Gardner and the CBSO
Image credit: Edward Gardner conducting the CBSOThe sea has been the inspiration for many concert works; Debussy’s La mer springs to mind immediately as perhaps the most popular, but in England during the first half of the 20th century nautical themes sustained an important presence. Amongst Delius’ Sea Drift, Vaughan Williams’ A Sea Symphony and Britten’s Four Sea Interludes sits Frank Bridge’s short and splendid suite The Sea.
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2-Nov-2012
Citi Performing Arts Center, Shubert Theater
Boston Lyric Opera finds new ways to break hearts in Madama Butterfly
Image credit: Yunah Lee (Cio-Cio-San) © Eric AntoniouBoston Lyric Opera opened a new production of Madama Butterfly on Thursday night, with gorgeous results. From the beautifully articulated set to the connection of the singers, the production was clean and inspired.
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31-May-2012
Walt Disney Concert Hall
World première of Adams' The Gospel According to the Other Mary in LA
Image credit: John Adams © Christine AlicinoThe Los Angeles Philharmonic, under the direction of Gustavo Dudamel, brought its season to a close with a world premiere of an oratorio the orchestra commissioned from one of today’s greatest living composers. On paper the alignment of the LAPO, Dudamel, and John Adams appeared to augur well for a memorable close to a season abounding in memorable music-making. In its own way—or despite itself—the composer's The Gospel According to the Other Mary proved memorable indeed, but for reasons perhaps not intended by its creators.
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