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About Riccardo Novaro

See 6 performances featuring Riccardo Novaro
Voice type: Baritone
Future engagements in our database:
Past performances in our database:
Argante in Rinaldo, HWV 7 (Opéra de Lausanne, 2011)
Clistene in L'Olimpiade, RV 725 (Garsington Opera Company, 2012)
Dandini, valet to Ramiro in La Cenerentola (Cinderella) (Opéra de Paris, 2013)
Dandini, valet to Ramiro in La Cenerentola (Cinderella) (Opéra de Paris, 2011)
Don Alfonso in Così fan tutte (Garsington Opera Company, 2008)
Haly in L'italiana in Algeri (The Italian Girl in Algiers) (Opéra de Paris, 2010)
Taddeo in L'italiana in Algeri (The Italian Girl in Algiers) (Opéra de Lausanne, 2010)
Taddeo in L'italiana in Algeri (The Italian Girl in Algiers) (Opéra National de Bordeaux, 2011)

Read our reviews

Date and venueTitle
27-Apr-2013
Philharmonic Hall
Rossini's not-so-petite Messe Solennelle with the RLPO and Ottavio Dantone
Image credit: Royal Liverpool Philharmonic OrchestraThough Rossini’s name is synonymous with 19th-century comic opera, his contribution to sacred music is not inconsiderable; a sizeable collection of masses, hymns and cantatas reach the pinnacle of their popularity in two works that still make an entertaining evening in the concert hall or church. The first is the Stabat Mater of 1832 (revised 1841), and the second is the Petite Messe Solennelle of 1863 (revised 1867).
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3-Jun-2012
Garsington Opera
Vivaldi's Olympics-themed opera gets a rare staging at Garsington Opera
Image credit: LAlthough I never had the pleasure of attending Garsington Opera in its original setting in Garsington Manor, I was very impressed by their new premises at Wormsley, Buckinghamshire, with their spectacular-looking and also comfortable opera pavilion.
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6-Aug-2011
Lincoln Center: Rose Theater
An enduring Don Giovanni
Image credit: Budapest, Palace of Arts © Zsuzsanna PetoLibrettist Lorenzo Da Ponte billed Don Giovanni a “dramma giocoso,” literally a “jocular drama,” and, unsurprisingly, finding the balance between comedy and drama is the key to any good production. As part of the Mostly Mozart Festival at the Rose Theater, Iván Fischer’s production held to the traditional precepts of the opera except for an ensemble of sixteen actors from the Budapest Acting Academy who served as both chorus and set.
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