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About Eri Nakamura

See 32 performances featuring Eri Nakamura
Voice type: Soprano
Future engagements in our database:
Past performances in our database:
Adina in L'Elisir d'Amore (Bavarian State Opera, 2013)
Arbate in Mitridate, Rè di Ponto (Bavarian State Opera, 2012)
Arbate in Mitridate, Rè di Ponto (Bavarian State Opera, 2011)
Die Rumata in Die Tragödie des Teufels (The Tragedy of the Devil) (Bavarian State Opera, 2011)
Frasquita in Carmen (Bavarian State Opera, 2013)
Frasquita in Carmen (Bavarian State Opera, 2011)
Giulietta in I Capuleti e i Montecchi (Bavarian State Opera, 2012)
Giulietta in I Capuleti e i Montecchi (Bavarian State Opera, 2011)
Liù in Turandot (Bavarian State Opera, 2012)
Liù in Turandot (Bavarian State Opera, 2011)
Mouse in L'enfant et les sortilèges (Bavarian State Opera, 2011)
Musetta in La Bohème (Royal Opera, 2010)
Naiad in Ariadne auf Naxos (Bavarian State Opera, 2011)
Pamina in The Magic Flute (Bavarian State Opera, 2010)
Shepherdess in L'enfant et les sortilèges (Bavarian State Opera, 2011)
Sophie in Werther (Royal Opera, 2011)
Sophie in Werther (Royal Opera, 2011)
Susanna in The Marriage of Figaro (Bavarian State Opera, 2010)
Woglinde in Götterdämmerung (Bavarian State Opera, 2012)
Woglinde in Das Rheingold (Bavarian State Opera, 2013)
Woglinde in Das Rheingold (Bavarian State Opera, 2012)
Xenia in Boris Godunov (Bavarian State Opera, 2013)
Zerlina in Don Giovanni (Bavarian State Opera, 2010)

Read our reviews

Date and venueTitle
20-Jul-2012
Prinzregententheater
Mozart's Mitridate in Munich through a child's eyes
Image credit: Lawrence Zazzo (Farnace) © Wilfried HöslMozart wrote the opera seria Mitridate at the age of fifteen. The Bayerische Staatsoper’s clever and strangely beautiful production positions it as the work of a child, full of rebellious teenagers and projected scenery seemingly drawn from a primary school art class. But unfortunately even excellent singing and much directorial invention cannot disguise that this is a rather bland opera, and its four hours pass slowly.
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6-Nov-2011
National Theatre
Nasty Children at the Bayerische Staatsoper
Image credit: Kevin Conners (Teapot), Tara Erraught (The Child), Okka von der Damerau (Teacup) © Wilfried HöslThe pairing of Ravel’s L’Enfant et les Sortilèges (“The Child and the Spells”) with Zemlinsky’s Der Zwerg (“The Dwarf”) is an interesting juxtaposition. The two works have some strong similarities: both were written shortly after 1920, with scenarios by authors who were known for their homosexual promiscuity (Colette, and Oscar Wilde respectively) and both are fairytales, with unpleasant children taking the lead roles.
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5-May-2011
Royal Opera House, Covent Garden
Villazón returns to form in the Royal Opera's Werther
Image credit: Rolando Villazón as Werther © 2011 The Royal Opera, Catherine AshmoreBoy falls in love with girl. Girl marries another man. Boy kills himself. The plot of Massenet's Werther isn't exactly complex or taxing, but then, in all great stories, it's the way you tell them that counts.
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