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About James Morris

See 8 performances featuring James Morris
Voice type: Bass-baritone
Future engagements in our database:
Past performances in our database:
Baron Scarpia in Tosca (Opéra de Paris, 2009)
Baron Scarpia in Tosca (Metropolitan Opera, 2012)
Baron Scarpia in Tosca (Metropolitan Opera, 2011)
Claudius in Hamlet (Metropolitan Opera, 2010)
Doctor in Wozzeck (English National Opera, 2013)
Don Pasquale (Washington National Opera, 2011)
Don Pasquale (Washington National Opera, 2011)
Dr. Schön / Jack the Ripper in Lulu (Metropolitan Opera, 2010)
Dutchman in Der fliegende Holländer (Opéra de Paris, 2010)
Frère Laurent in Roméo et Juliette (Metropolitan Opera, 2011)
Hans Sachs in Die Meistersinger von Nürnberg (Metropolitan Opera, 2001)
Hans Sachs in Die Meistersinger von Nürnberg (Lyric Opera of Chicago, 2013)
Jacopo Fiesco in Simon Boccanegra (Metropolitan Opera, 2010)
John Claggart in Billy Budd (Metropolitan Opera, 2012)
Mikado in The Mikado (Lyric Opera of Chicago, 2011)
Mikado in The Mikado (Lyric Opera of Chicago, 2010)
Mikado in The Mikado (Lyric Opera of Chicago, 2010)
The Commendatore in Don Giovanni (Metropolitan Opera, 2012)
Timur in Turandot (Metropolitan Opera, 2012)
Wanderer in Siegfried (Metropolitan Opera, 1990)
Wotan in Die Walküre (Metropolitan Opera, 1989)
Wotan in Das Rheingold (Metropolitan Opera, 1990)
Wurm in Luisa Miller (Metropolitan Opera, 1979)

Read our reviews

Date and venueTitle
11-May-2013
The London Coliseum
Bring your mental body armour: Wozzeck at ENO
Image credit: Tom Randle, Leigh Melrose, James Morris © Tristram Kenton / English National OperaMilitary service brutalises. If you’re in any doubt about this, Berg’s short opera Wozzeck should dispel them, and particularly so in Carrie Cracknell’s new production for ENO. The fragmentary play on which Wozzeck is based, by Georg Büchner, originated in a true story of a soldier in the Napoleonic wars and was edited and published after the Franco-Prussian war; Berg wrote the opera in the aftermath of World War I; Cracknell moves it to the British military of today. It could be in any place at any time.
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8-Feb-2013
Civic Opera House
Die Meistersinger fills the stage at Chicago's Lyric Opera
Image credit: Act Three, Scene 1 © Dan RestOn Friday, a new co-production of Die Meistersinger von Nürnberg opened at the Lyric. The only comedy among Wagner’s mature music dramas, its sound is very much like that of the better-known tragedies – brassy, overfull, with a core of strings teetering at vibrato’s edge. But its style is heterogeneous where the tragedies are homogeneous, shifting rapidly through a Wagner-index of tropes and melodic figures.
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13-May-2011
Kennedy Center: Opera House
The Recipe of True Happiness
Image credit: James Morris and Dwayne Croft © Scott SuchmanIf you believe that true happiness can be found in music, I have a recipe for you to follow. Take a funny story of disguise, sham and mock marriage and set it to great music. Add a quartet of bel canto stars (a lyric tenor, a coloratura soprano, a baritone and a bass) and dress them in spectacular 17th century costumes. Add pantomime artists, masked dancers and a chorus. Place all in a commedia dell’arte ‘theater within theater’ set, painted in coral and gold.
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11-Dec-2010
Civic Opera House
Off with Their Heads!
Image credit: Dan Rest / Lyric Opera of Chiacgo“Off with their heads!” I vividly recall being terrorized as a preschooler hearing Walt Disney’s sadistic, loud-mouthed Queen of Hearts thunder these signature lines. I have since learned that decapitation as capital punishment is not exclusive to the fictional Queen of Hearts of Lewis Carroll and Walt Disney, but rather grim historical reality. Still, countless works of fiction – Carroll and his Disney offshoot included – have transformed it from this grisly punitive measure into a comic cliché.
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