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About Messa da Requiem

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Date and venueTitle
20-Apr-2013
Southbank Centre: Royal Festival Hall
An outstanding Verdi Requiem from the Philharmonia and Gatti
Image credit: Philharmonia Chorus at Kings College, Cambridge in April 2011, © Clive BoursnellEvery once in a while, I hear a concert that grips me from the first note and doesn’t let go until the very last. Daniele Gatti and the Philharmonia’s performance of Verdi’s Requiem at the Royal Festival Hall was such a concert.
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24-Mar-2013
La Maison Symphonique de Montréal
Verdi's Requiem with Yannick Nézet-Séguin and L'Orchestre Métropolitain
Image credit: Yannick Nézet-Séguin conducting the Orchestre Métropolitain in the Verdi Requiem © Philippe JasminIf you were to measure the potency of this afternoon’s concert of Verdi’s Requiem by the sheer number of grown men weeping at the end, I’d say it was an unparalleled success. In fact, after that grandiose musical testament, operatic in scope, the applause was nearly endless and every soul in the hall rose to stand.
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1-Sep-2012
Großes Festspielhaus
Salzburg's first spiritual festival closes with Verdi's Requiem
Image credit: Orchestra e Coro del Teatro alla Scala: Anja Harteros, Elīna Garanča, Daniel Barenboim, Jonas Kaufmann © Wolfgang LienbacherFaith and glamour have bookended this year’s Salzburg Festival, a move met with incredulity in certain quarters and yet one not entirely alien to Austrian customs, if one looks to the 20 or so most glittering events of the Viennese ball season, which is promptly curtailed by Ash Wednesday (still observed by much of the population here with high Catholic asceticism).
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2-Jun-2012
Severance Hall
The Cleveland Orchestra concludes Severance Hall season with Verdi's Requiem
Image credit: Liudmyla MonastyrskaThe Cleveland Orchestra closed its 2011/12 season on Thursday and Saturday, May 31 and June 2, with stirring performances of Giuseppe Verdi’s Requiem, with the orchestra’s Director of Choruses Robert Porco conducting the orchestra, the precisely-trained Cleveland Orchestra Chorus, and an unusually well-matched quartet of soloists. Two of the soloists, Ukrainian soprano Liudmyla Monastyrska and American tenor Dimitri Pittas, were making their Cleveland Orchestra debuts, with mezzo Michelle DeYoung and bass Raymond Aceto rounding out the group.
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