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About Alwyn Mellor

See 1 performances featuring Alwyn Mellor
Voice type: Soprano
Future engagements in our database:
Past performances in our database:
Brünnhilde in Die Walküre (Opéra de Paris, 2013)
Brünnhilde in Die Walküre (Longborough Festival Opera, 2010)
Brünnhilde in Siegfried (Opéra de Paris, 2013)
Chrysothemis in Elektra (Opera North, 2008)
Gerhilde in Die Walküre (Royal Opera, 2012)
Isolde in Tristan and Isolde (Grange Park Opera, 2011)
Isolde in Tristan and Isolde (Grange Park Opera, 2011)

Read our reviews

Date and venueTitle
18-Oct-2012
Royal Opera House, Covent Garden
Connolly and Terfel stand out in a thought-provoking Walküre at Covent Garden
Image credit: Simon OIf you've been brought up with the Judaeo-Christian ideal of an all-powerful, all-good God, Norse mythology can come as a bit of a shock. Wotan, the father of the gods, is philandering, deceitful, power-hungry, sentimental, violent and ultimately weak - the gamut of human frailties writ large. Combine all of those with a magic spear and the ability to control the weather and you know that things aren't going to end well.
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16-Jun-2012
Leeds Town Hall
Opera North: Die Walküre
Image credit: Béla Perencz as Wotan and conductor Richard Farnes © Clive BardaOpera North’s concert staging of Wagner’s Ring Cycle continued last night with Die Walküre, the “first night” proper of the cycle after the “preliminary evening” of Das Rheingold. Following the godly power struggles that play out in Das Rheingold, there is a change of emphasis in Die Walküre, which takes us into an intense family drama – of the fourteen singers, one is Wotan himself, then there are his ten daughters, his son and his wife: only Hunding, Sieglinde’s wronged husband, is outside the clan.
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30-Jun-2011
Grange Park Opera, Northington
“Such dangerous fascinations” Tristan & Isolde at Grange Park Opera
Image credit: Grange Park OperaHistory has cast a complex light on Wagner’s music and on Wagner the man. But Tristan & Isolde (Wagner’s enormous vision of erotic love) is an opera that can still resonate today. Nietzsche referred to its “dangerous fascinations”, “spine-tingling and blissful infinity“ and “voluptuousness”. This was Grange Park Opera’s first foray into Wagnerian opera. They are based in an award-winning built opera house tucked away behind the imposing bulk of The Grange, a partially ruined mansion in glorious Hampshire countryside.
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