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About Karita Mattila

See 15 performances featuring Karita Mattila
Voice type: Soprano
Future engagements in our database:
Past performances in our database:
Jenůfa in Jenůfa (Bavarian State Opera, 2013)
Donna Elvira in Don Giovanni (Metropolitan Opera, 1990)
Emilia Marty / Elina Makropoulos in Makropulos Affair (San Francisco Opera Company, 2010)
Emilia Marty / Elina Makropoulos in Makropulos Affair (Metropolitan Opera, 2012)
Eva in Die Meistersinger von Nürnberg (Metropolitan Opera, 2001)
Floria Tosca in Tosca (Bavarian State Opera, 2010)
Floria Tosca in Tosca (Metropolitan Opera, 2009)
Katya in Katya Kabanova (Madrid Opera, 2008)
Leonore in Fidelio (Houston Grand Opera, 2011)
Leonore in Fidelio (Houston Grand Opera, 2011)
Leonore in Fidelio (Metropolitan Opera, 2000)
Lisa in The Queen of Spades (Metropolitan Opera, 2011)
Manon Lescaut (Metropolitan Opera, 2008)
Salome (Metropolitan Opera, 2008)
Émilie du Châtelet in Émilie (Opéra de Lyon, 2010)

Read our reviews

Date and venueTitle
19-Jan-2013
Southbank Centre: Royal Festival Hall
Where the noise began: Richard Strauss at the Royal Festival Hall
Image credit: Karita Mattila, © Lauri ErikssonA pub quiz question for you, dear reader: with which work did 20th century music begin? The rest is noise, Alex Ross's history of 20th century music, opens with Richard Strauss's 1905 opera Salome, focusing particularly on its final bars. As Princess Salome is crushed under the shields of King Herod's guard, the music turns to what Ross describes as "...a tumult... a howl... a shriek... In effect, the opera ends with eight bars of noise". Last night's all-Strauss concert, which closed with the Dance of the Seven Veils and the last scene from Salome marked the start of a year-long programme of events dedicated to telling the story of 20th century music, inspired by and named after Ross's book.
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10-Mar-2012
Carnegie Hall: Stern Auditorium/Perelman Stage
Saint Louis Symphony at Carnegie Hall: Saariaho and Stravinsky
Image credit: David RobertsonIf only every orchestral concert were as thoughtfully programmed as the Saint Louis Symphony’s last Saturday. David Robertson led his orchestra in Debussy’s Printemps, an ingratiating early work; the Carnegie Hall premiere of Quatre Instants by Kaija Saariaho with the irrepressible soprano Karita Mattila; and the full-length version of Stravinsky’s Firebird.
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