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About London Philharmonic Choir

See 8 performances featuring London Philharmonic Choir

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Date and venueTitle
1-May-2013
Southbank Centre: Royal Festival Hall
Ideas, ideals, and influences: A Child of Our Time at The Rest is Noise with the LPO and Wigglesworth
Image credit: Ryan Wigglesworth © Benjamin EalovegaSouthbank Centre’s The Rest is Noise festival has a number of strands of thought permeating its concerts. It explores the effects of war, sex and sexuality, politics, and race on some of the 20th century’s most important musical output. The underlying argument behind putting on this extraordinary series of events is that the music, much of which we know and love, cannot be understood properly without understanding the context in which it was written.
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6-Apr-2013
Southbank Centre: Royal Festival Hall
Stravinsky and Carl Orff team up the LPO and Hans Graf at the Royal Festival Hall
Image credit: Hans Graf © Christian SteinerThe inter-war years produced some of the most dynamic and popular choral works that have been composed since the 18th century. Tonight’s London Philharmonic Orchestra concert, conducted by Hans Graf, combined two very different results of this flowering. Both masterpieces in their own way, they unexpectedly complemented each other and made for an entertaining concert.
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1-Dec-2012
Southbank Centre: Royal Festival Hall
Speech to song: The London Philharmonic Orchestra plays Brahms and Zimmermann
Image credit: Vladimir Jurowski, principal conductor of LPO © Richard CannonA German Requiem and two German composers sounds like your standard concert menu, but this concert was an interesting juxtaposition of two very different halves, the first filled by German composer Bernd Alois Zimmermann’s little-heard Ecclesiastical Action, and the second by the much-loved, much-performed German Requiem by Brahms.
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29-Aug-2012
Royal Albert Hall
Prom 61: A festival of British music with Brabbins and the BBC Symphony
Image credit: Martyn Brabbins conducts Miah Persson and Andrew Kennedy with the BBC SO in HowellsThe music of Herbert Howells has long been a fixture in British churches but continues to be absent from our concert halls. It’s true that much of his output, and almost all of his most popular works, are for unaccompanied choir or choir and organ, but his orchestral works include two piano concertos, a fantasia for cello and orchestra and several works for string orchestra among their number.
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