| Date and venue | Title |
|---|---|
| 8-Feb-2013 Royal College of Music: Britten Theatre | Iain Burnside's Journeying Boys at the Royal College of Music |
“Bring it on”. This was the response of Nicholas Sears, Head of Vocal Studies at the Royal College of Music, when Iain Burnside sketched out his plan for a music theatre event that would almost certainly cross boundaries of taste. Using Benjamin Britten’s song cycle Les Illuminations as a point of departure, Journeying Boys traces the life of the 19th-century French poet Arthur Rimbaud, whose prose-poem suite Les Illuminations forms the basis of Britten’s composition.Read full review... | |
| 27-Oct-2012 Barbican Centre: Hall | Looking Forward with Britten Sinfonia at the Barbican |
Pleasantly enough, Britten Sinfonia went down a thoroughly unconventional route in celebrating their 20th birthday at the Barbican on Saturday, with a brilliantly varied range of new pieces mixing with chamber orchestra classics. With a stellar range of guests, they carried us along all the way from Purcell to Moondog, encapsulating the spirit of versatility and openness which makes the group what it is.
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| 22-Oct-2012 Caird Hall | Illuminations: New innovations from the Scottish Ensemble in Dundee |
The Scottish Ensemble has been resident in Dundee for four days, really getting under the skin of the city. Amongst a whole raft of activities, including pop-up concerts, performing a film score live at a screening at Dundee Contemporary Arts, the Ensemble has been working with string players from Dundee Schools Orchestra and Dundee Symphony Orchestra.
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| 6-Jan-2012 Kings Place: Hall One | From Bridge to Vaughan Williams: The Orchestra of St John's at Kings Place |
Frank Bridge, his pupil Benjamin Britten, and Ralph Vaughan Williams: three composers defined by their role in steering English music into the twentieth century. With Britten’s centenary approaching in 2013, Kings Place’s two-concert series of English string music was a timely reminder of the musical imagination that flourished in this country at the turn of the twentieth century. Tonight’s selection – arguably too brief by a piece or two – reminded us of the brooding sensitivities of their music and the folk roots upon which all three men drew.
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