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About Jonathan Lemalu

See 1 video-on-demand performances featuring Jonathan Lemalu
Voice type: Bass
Past performances in our database:
Barber in The Barber of Baghdad (Buxton Festival Opera, 2010)
Collatinus in The Rape of Lucretia (Theater an der Wien, 2011)
Gobrias in Belshazzar, HWV 61 (Théâtre du Capitole, 2011)
High Priest in Idomeneo, rè di Creta (Buxton Festival Opera, 2010)
Porgy in Porgy and Bess (Cincinnati Opera, 2012)
Queequeg in Moby-Dick (San Francisco Opera Company, 2012)
Queequeg in Moby-Dick (Dallas Opera, 2010)
Queequeg in Moby-Dick (San Diego Opera, 2012)

Read our reviews

Date and venueTitle
13-Dec-2012
Barbican Centre: Hall
Handel's Belshazzar at the Barbican with Les Arts Florissants
Image credit: John Martin, BelshazzarHandel’s Belshazzar was the oratorio of choice for renowned music group Les Arts Florissants at the Barbican last week. The group was famously set up in France in 1979 by the American-born William Christie, eventually becoming an international household name for its critically acclaimed performances and recordings of Baroque operas on period instruments. Having previously only heard Les Arts Florissants in recorded form, they had much to live up to for me as a live act.
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10-Oct-2012
War Memorial Opera House
Jake Heggie's Moby-Dick triumphs in San Francisco
Image credit: Moby Dick: Morgan Smith and the crew of the Pequod © Cory WeaverThough reports of the work’s importance and dramatic power have attended it since its 2010 premiere in Dallas, I doubt many in the audience of the War Memorial Opera House on Wednesday night were prepared for the impact of Jake Heggie’s Moby-Dick. After nearly three hours of gripping drama and emotionally resonant musical storytelling, the tale of the crew of the Pequod and their pursuit of the white whale concluded in a deathly quiet, the audience sitting in stunned silence. The thunderous applause that followed was effusive and cathartic – what a journey!
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31-Jul-2012
Royal Albert Hall
Prom 23: A varied menu of early 20th-century English music
Image credit: Tadaaki Otaka © Masahide SatoProm 23 served up a menu of English music from the first half of the 20 century in all its variety, with impressionism by Delius, the lush strings of Vaughan Williams, heroic brass from Ireland, and jazzy, sophisticated excitement from Walton.
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