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About Yonghoon Lee

See 21 performances featuring Yonghoon Lee
Voice type: Tenor
Future engagements in our database:
Past performances in our database:
Don Carlos (Metropolitan Opera, 2010)
Don Carlos (Metropolitan Opera, 2011)
Don Carlos (Vienna State Opera, 2013)
Don Carlos (Deutsche Oper Berlin, 2012)
Don José in Carmen (Lyric Opera of Chicago, 2010)
Don José in Carmen (Lyric Opera of Chicago, 2010)
Don José in Carmen (Zurich Opera, 2013)
Don José in Carmen (Metropolitan Opera, 2012)
Don José in Carmen (Staatsoper Berlin, 2010)
Don José in Carmen (Deutsche Oper Berlin, 2011)
Gustavo, King of Sweden in Un Ballo in Maschera (Deutsche Oper Berlin, 2012)
Ismaele in Nabucco (Metropolitan Opera, 2011)
Ismaele in Nabucco (Metropolitan Opera, 2011)
Macduff in Macbeth (Glyndebourne Opera, 2010)
Manrico in Il Trovatore (Theater an der Wien, 2013)
Mario Cavaradossi in Tosca (Royal Opera, 2013)
Mario Cavaradossi in Tosca (Dresden State Opera, 2011)
The Unknown Prince (Calàf) in Turandot (Bavarian State Opera, 2012)
Turiddu in Cavalleria Rusticana (Teatro alla Scala, 2011)

Read our reviews

Date and venueTitle
3-Jun-2013
Theater an der Wien
Philipp Stölzl's Il Trovatore has successful Wiener Festwochen test-run before travelling to Berlin
Image credit: Marina Prudenskaya © Matthias BausIl Trovatore has doggedly survived in opera’s hit charts despite dispensing generous quantities of hair-raising as well as eyebrow-raising content. Verdi’s music is intoxicating, of course, but there is something to this work that makes it accessible beyond reasoning.
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16-Oct-2010
Civic Opera House
Bad Girls, Good Girls, Soldiers and Bullfighters .... Oh My!
Image credit: Dan Rest / Lyric Opera of ChicagoEverybody’s favorite bad girl in the world of opera is back again for a spectacular romp of delights, mischief, seduction, and tragic culmination in the Lyric Opera of Chicago’s 2010 revival of its 1999 production of Bizet’s Carmen. Complete with magnificent sets and spectacular costumes, the extravagant and emotionally irresistible production of Bizet’s theatrical magnum opus – which is currently being marketed as “The World’s Most Famous Opera” – is truly a feast for both the eyes and the ears.
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