|Date and venue||Title|
La Monnaie | De Munt: Grand Hall
|Rousset and Les Talens Lyriques light up a powerful Médée|
|Hell hath no fury like a woman scorned. Scorned womanhood has no better archetype than Euripides's Medea. And you're unlikely to see a more powerful or affecting Medea than Nadja Michael's performance in Cherubini's opera Médée, in the first production of the new season at La Monnaie in Brussels (De Munt, if you're a Flemish speaker.)
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