Voice type: Bass
Future engagements in our database:
Past performances in our database:
A Monk in Don Carlos (Bavarian State Opera, 2010)
Banquo in Macbeth (Bavarian State Opera, 2010)
Cadmus in Semele, HWV 58 (Canadian Opera, 2012)
Capellio in I Capuleti e i Montecchi (Bavarian State Opera, 2011)
Colline in La Bohème (Bavarian State Opera, 2011)
Der Boris in Die Tragödie des Teufels (The Tragedy of the Devil) (Bavarian State Opera, 2011)
Don Fernando in Fidelio (Bavarian State Opera, 2010)
Don Fernando in Fidelio (Bavarian State Opera, 2011)
Fafner in Das Rheingold (Bavarian State Opera, 2013)
Fafner in Das Rheingold (Grand Théâtre de Genève, 2013)
Gubetta in Lucrezia Borgia (Bavarian State Opera, 2009)
Gubetta in Lucrezia Borgia (Bavarian State Opera, 2011)
High Priest in Nabucco (Bavarian State Opera, 2011)
King of Egypt in Aida (Bavarian State Opera, 2010)
Oroveso in Norma (Bavarian State Opera, 2011)
Prince Gremin in Eugene Onegin (Bavarian State Opera, 2009)
Radamès in Aida (Bavarian State Opera, 2010)
Sir Gualtiero Raleigh in Robert Devereux (Bavarian State Opera, 2010)
Titurel in Parsifal (Bavarian State Opera, 2011)
Truffaldino in Ariadne auf Naxos (Bavarian State Opera, 2011)
Wurm in Luisa Miller (Bavarian State Opera, 2011)
Richard Strauss and Hugo von Hofmannsthal began their collaboration on Die Frau ohne Schatten (The Woman Without a Shadow) with utopian ambitions. Unfortunately they weren’t the same ones. For Hofmannsthal, this would finally be the opera where his poetry would be illuminated by rather than buried under the music. For Strauss, this was to be his magnum opus, the self-proclaimed “last Romantic opera” that would cement his place in musical history.
