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About Jane Henschel

See 3 performances featuring Jane Henschel
Voice type: Mezzo-soprano
Past performances in our database:
Baba the Turk in The Rake's Progress (Opéra de Paris, 2012)
Kabanija in Katya Kabanova (Opéra de Paris, 2011)
Klytemnestra in Elektra (Madrid Opera, 2011)
Klytemnestra in Elektra (Staatsoper Berlin, 2009)
Leocadia Begbick in Rise and Fall of the City of Mahagonny (Madrid Opera, 2010)
Mistress Quickly in Falstaff (Vienna State Opera, 2010)
Mrs Sedley in Peter Grimes (Royal Opera, 2011)
Mrs Sedley in Peter Grimes (Royal Opera, 2011)
Ortrud in Lohengrin (Dresden State Opera, 2013)
Witch in Hänsel and Gretel (Royal Opera, 2010)
Witch in Hänsel and Gretel (Royal Opera, 2010)
Witch in Hänsel and Gretel (Royal Opera, 2011)

Read our reviews

Date and venueTitle
16-Mar-2013
Birmingham Symphony Hall
CBSO and Andris Nelsons: The Flying Dutchman in concert
Image credit: Andris Nelsons conducting the CBSO © © Neil PughAndris Nelsons followed up his 2012 Tristan und Isolde with a stirring performance of Wagner’s breakthrough work, Der fliegende Holländer, with a fine array of soloists and the CBSO in Birmingham.
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24-May-2012
Carnegie Hall: Stern Auditorium/Perelman Stage
Nina Stemme comes out ahead in Cleveland Orchestra's Salome
Image credit: Franz Welser-Möst, Nina Stemme, Eric Owens, Jane Henschel © Roger Mastroianni“When I looked at you, I heard secret music,” says Salome in her monologue to the severed head of John the Baptist. Richard Strauss’s opera trades in the unseeable and the unknowable—from the range of metaphors applied to the moon to the nearly impossible staging of a ten-minute striptease performed by a dramatic soprano—which makes it unusually well suited to concert presentation. Strauss’ high-octane, atmospheric music can seem all the more lurid and mysterious when its subjective visualization is left to the imagination.
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21-Jun-2011
Royal Opera House, Covent Garden
Andrew Davis conducts a powerful telling of Britten's Peter Grimes
Image credit: Ben Heppner as Peter Grimes, Orlando Copplestone as his apprentice John © The Royal Opera, Clive Barda 2011English classical music is often associated with the countryside, the landscape and its villages, and Britten's opera Peter Grimes is no exception. But this isn't the gentle, pastoral landscape of Brooke or Housman, and no larks are ascending here: it's a harsh, forbidding place inhabited by harsh, forbidding people whose Christianity has much faith and some hope but a distinct shortage of charity.
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29-Dec-2010
Royal Opera House, Covent Garden
Hurrah! The Witch is Dead!
Image credit: Christine Rice as Hansel and Ailish Tynan as Gretel © 2010 The Royal Opera / Johan PerssonThis reviewer fully expected not to enjoy today’s matinee, having read the recent Guardian review and heard mixed reports from friends who saw it when it first came out. Apart from a couple of minor quibbles – why doesn’t the mother knock the milk jug over as indicated in the score? And why when Hansel is stuck under the Witch’s kitchen unit does his foot appears in one drawer unbelievably far away from his finger which appears in another drawer – was this supposed to be funny?
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