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About Jill Grove

Voice type: Mezzo-soprano
Past performances in our database:
Amneris in Aida (San Diego Opera, 2013)
Amneris in Aida (Canadian Opera, 2010)
Amneris in Aida (Lyric Opera of Chicago, 2012)
Erda in Siegfried (Los Angeles Opera, 2009)
Erda in Das Rheingold (Los Angeles Opera, 2010)
Erda in Siegfried (Los Angeles Opera, 2010)
Erda in Siegfried (Bavarian State Opera, 2012)
Florence Pike in Albert Herring (Santa Fe Opera, 2010)
Klytemnestra in Elektra (Lyric Opera of Chicago, 2012)
Ulrica in Un Ballo in Maschera (New Orleans Opera, 2011)
Witch in Hänsel and Gretel (Lyric Opera of Chicago, 2012)

Read our reviews

Date and venueTitle
20-Apr-2013
San Diego Civic Theatre
San Diego Opera's flashy Aida features standout soprano Latonia Moore
Image credit: Latonia Moore © Ken HowardAida typifies all that is grand about opera. Its exotic setting, majestic music, and dramatic love triangle can make for an evening unique among performing arts events. It’s not a bad way to close an opera season either. San Diego Opera did so on Saturday, capping a uniformly satisfying season with Zandra Rhodes’ vibrant production that was refreshing and at times thrilling.
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16-Dec-2012
Civic Opera House
From fairy-tale to Freudian tale: Hansel and Gretel in Chicago
Image credit: Jill Grove in Hansel and Gretel © Dan Rest“Nibble, nibble, like a mouse – who is nibbling at my house?” As a preschooler, I used to giggle with glee when I would hear this quote from the wicked witch in Hansel and Gretel. No doubt the story was dark, yet Eloise Wilkin’s delightful illustrations and the touching message of brother/sister love enticed me to return frequently to this beloved tale during nightly story time.
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13-Oct-2012
Civic Opera House
Elektra opens Lyric Opera of Chicago's new season with a shriek
Image credit: Elektra © Robert KuselBetween acts, and between shows, the stage at Chicago’s Civic Opera House is usually blocked from view by a solid mural painted with baroque figures in gold – perhaps the gaudiest feature of an already fussily ornate hall. The gilt-painted screen was up, however, for Elektra, the first show of the Lyric Opera’s new season (along with Verdi’s Simon Boccanegra, which runs concurrently).
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21-Jan-2012
Civic Opera House
A tale of two princesses at the Lyric Opera of Chicago
Image credit: Sondra Radvanovsky as Aida, © Dan Rest & Lyric Opera of ChicagoIn our youth, my brother and I adored Cecil B. DeMille’s epic film The Ten Commandments. Not only did we like the well-written and brilliant take on the beloved biblical story of Moses, but we were also fascinated by the lavish sets and historical aspects of the film. Ancient Egypt – a fascinating and mysterious world of artistic and academic achievement – beckoned to us, as it did to Giuseppe Verdi 140 years ago.
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