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About Marcello Giordani

See 11 performances featuring Marcello Giordani
Voice type: Tenor
Future engagements in our database:
Past performances in our database:
Aeneas in The Trojans (Metropolitan Opera, 2012)
Canio in Pagliacci (Barcelona Opera, 2011)
Chevalier des Grieux in Manon Lescaut (Metropolitan Opera, 2008)
Dick Johnson in La Fanciulla del West (Metropolitan Opera, 2011)
Dick Johnson in La Fanciulla del West (Lyric Opera of Chicago, 2011)
Dick Johnson in La Fanciulla del West (Metropolitan Opera, 2010)
Dick Johnson in La Fanciulla del West (Lyric Opera of Chicago, 2011)
Dick Johnson in La Fanciulla del West (Metropolitan Opera, 2011)
Don Alvaro in La Forza del Destino (The Force of Destiny) (Gran Teatre del Liceu, 2012)
Don Alvaro in La Forza del Destino (The Force of Destiny) (Vienna State Opera, 2009)
Don Alvaro in La Forza del Destino (The Force of Destiny) (Vienna State Opera, 2008)
Don Carlos (Deutsche Oper Berlin, 2011)
Don Carlos (Deutsche Oper Berlin, 2011)
Don Carlos (Deutsche Oper Berlin, 2012)
Eléazar in La Juive (Dresden State Opera, 2013)
Faust in The Damnation of Faust (Metropolitan Opera, 2008)
Faust (Teatro alla Scala, 2010)
Gabriele Adorno in Simon Boccanegra (Madrid Opera, 2010)
Gabriele Adorno in Simon Boccanegra (Metropolitan Opera, 2010)
Mario Cavaradossi in Tosca (Madrid Opera, 2011)
Mario Cavaradossi in Tosca (Vienna State Opera, 2009)
Mario Cavaradossi in Tosca (Deutsche Oper Berlin, 2011)
Mario Cavaradossi in Tosca (Metropolitan Opera, 2010)
Mario Cavaradossi in Tosca (Bavarian State Opera, 2011)
Mario Cavaradossi in Tosca (Royal Opera, 2011)
Mario Cavaradossi in Tosca (San Francisco Opera Company, 2012)
Mario Cavaradossi in Tosca (Bavarian State Opera, 2012)
Mario Cavaradossi in Tosca (Vienna State Opera, 2012)
Mario Cavaradossi in Tosca (Royal Opera, 2009)
Mario Cavaradossi in Tosca (Vienna State Opera, 2013)
Paolo il Bello in Francesca da Rimini (Metropolitan Opera, 2013)
Pinkerton in Madama Butterfly (Metropolitan Opera, 2009)
Pinkerton in Madama Butterfly (Metropolitan Opera, 2012)
Radamès in Aida (San Francisco Opera Company, 2010)
Radamès in Aida (Lyric Opera of Chicago, 2012)
Radamès in Aida (Metropolitan Opera, 2012)
Riccardo in Un Ballo in Maschera (Vienna State Opera, 2009)
Rodolfo in La Bohème (Opéra de Paris, 2009)
Roméo in Roméo et Juliette (Vienna State Opera, 2008)
The Unknown Prince (Calàf) in Turandot (Metropolitan Opera, 2012)
The Unknown Prince (Calàf) in Turandot (Metropolitan Opera, 2009)
Turiddu in Cavalleria Rusticana (Opéra de Paris, 2012)
Turiddu in Cavalleria Rusticana (Barcelona Opera, 2011)

Read our reviews

Date and venueTitle
6-May-2012
Opéra Bastille
Rustic chivalry and clowns in Paris: Cavalleria Rusticana and Pagliacci
Image credit: Marcello Giordani (Turiddu) and Franck Ferrari (Alfio) in Cavalleria rusticana, © Opéra national de Paris/ Mirco Magliocca​In each case, you know the murder is coming. In each case the music is explosive and closes the opera: there is nothing left to say except Canio's simple words: "La commedia è finita." Thus ends opera's most celebrated double bill: Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci, a pair of short operas that have been performed together almost exclusively since 1893, known affectionately as "Cav and Pag" to an older generation of operagoers.
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21-Jan-2012
Civic Opera House
A tale of two princesses at the Lyric Opera of Chicago
Image credit: Sondra Radvanovsky as Aida, © Dan Rest & Lyric Opera of ChicagoIn our youth, my brother and I adored Cecil B. DeMille’s epic film The Ten Commandments. Not only did we like the well-written and brilliant take on the beloved biblical story of Moses, but we were also fascinated by the lavish sets and historical aspects of the film. Ancient Egypt – a fascinating and mysterious world of artistic and academic achievement – beckoned to us, as it did to Giuseppe Verdi 140 years ago.
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22-Jan-2011
Civic Opera House
Till There Was You
Image credit: Marcello Giordani and Deborah Voigt, credit Dan Rest“There was love all around / But I never heard it singing / No, I never heard it at all / Till there was you!” I vividly recall when I first heard Shirley Jones sing these touching, heartfelt lines on the beloved motion picture version of Meredith Wilson’s “The Music Man”, when both the devious Professor Harold Hill and the stingy spinster Marion Paroo discover the true meaning of love.
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