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About Véronique Gens

See 15 performances featuring Véronique Gens
Voice type: Soprano
Future engagements in our database:
Past performances in our database:
Agathe in Der Freischütz (Staatsoper Berlin, 2013)
Alceste (Vienna State Opera, 2012)
Donna Elvira in Don Giovanni (Bavarian State Opera, 2011)
Donna Elvira in Don Giovanni (Opéra de Paris, 2012)
Donna Elvira in Don Giovanni (Vienna State Opera, 2013)
Iphigénie in Iphigénie en Tauride (De Nederlandse Opera, 2011)
Niobe in Niobe, Regina di Tebe (Grand Théâtre de Luxembourg, 2010)
Niobe in Niobe, Regina di Tebe (Royal Opera, 2010)
Niobe in Niobe, Regina di Tebe (Royal Opera, 2010)

Read our reviews

Date and venueTitle
15-Nov-2012
Staatsoper
Gluck's Alceste at the Vienna Staatsoper: Chronicle of a death foretold
Image credit: Véronique Gens and the chorus in Alceste © Wiener Staatsoper / Michael PöhnAlceste is the short and sombre story of a wife who gives her life to save that of her husband, King Admète of Thessaly, a deed which ultimately convinces the gods to reprieve both of them. Gluck, hoping to avoid the over-decorated vocal style then in vogue, set this plot to unadorned vocal lines to give depth to the underlying emotions. When this work premièred in Vienna in 1767, the reactions were mixed, Leopold Mozart calling it a “requiem”. The opera was not a great success until a thoroughly reworked version with a libretto in French premièred in Paris in 1776.
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25-Sep-2010
Royal Opera House, Covent Garden
Steffani's Niobe, Regina di Tebe at Covent Garden
Image credit: Véronique Gens as Niobe and Jacek Laszczkowski as Anfione © The Royal Opera/Bill Cooper September 2010In 2008, conductor Thomas Hengelbrock rediscovered Niobe, Regina di Tebe, written in 1687 by the Venetian-born, German-based composer Agostino Steffani. Although now little remembered, Steffani was a world-famous composer in his day and a man of many talents who became a diplomat and bishop as well as being a musician. Hengelbrock and director Lukas Hemleb staged Niobe at the Schwetzingen Festival, and they have adapted this production for the Royal Opera House and the Grand Théâtre du Luxembourg.
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