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About Giuseppe Filianoti

See 16 performances featuring Giuseppe Filianoti
Voice type: Tenor
Future engagements in our database:
Past performances in our database:
Don Ottavio in Don Giovanni (Bavarian State Opera, 2010)
Don Ottavio in Don Giovanni (Teatro alla Scala, 2012)
Don Ottavio in Don Giovanni (Teatro alla Scala, 2011)
Edgardo in Lucia di Lammermoor (Lyric Opera of Chicago, 2011)
Edgardo in Lucia di Lammermoor (Lyric Opera of Chicago, 2011)
Hoffmann in Tales of Hoffmann (Metropolitan Opera, 2010)
Hoffmann in Tales of Hoffmann (Metropolitan Opera, 2010)
Hoffmann in Tales of Hoffmann (Bavarian State Opera, 2013)
Hoffmann in Tales of Hoffmann (Opéra de Paris, 2010)
Le Chevalier Des Grieux in Manon (Opéra de Paris, 2012)
Nemorino in L'Elisir d'Amore (Bavarian State Opera, 2009)
Rodolfo in La Bohème (La Monnaie | De Munt, 2010)
The Duke of Mantua in Rigoletto (Lyric Opera of Chicago, 2013)
The Duke of Mantua in Rigoletto (Metropolitan Opera, 2011)
Tito in La clemenza di Tito (Metropolitan Opera, 2012)

Read our reviews

Date and venueTitle
25-Feb-2013
Civic Opera House
Verdi's Rigoletto at Lyric Opera of Chicago
Image credit: Albina Shagimuratova, Andrzej Dobber © Dan RestOf all the mischievous dramatic reversals that line Rigoletto’s plot – the hunchbacked jester tricked into abducting his own daughter, the daughter tricked into loving the brainless Duke (posing as a penniless student), and the terrifying reunion of father and daughter in a scene of murder – is not the most breathtaking, after all, the fact that the opera begins with a convincing display of the debauched status of romance but then confronts us, for the remainder of Act I, with all the innocence and conviction of Gilda’s first love?
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22-Oct-2011
Civic Opera House
A Dark and Stormy Night at the Lyric Opera of Chicago
Image credit: Susanna Phillips © Dan Rest"It was a dark and stormy night …." Chuckling whenever I hear these lines, I can see Charles Schultz’s beloved Snoopy staring intensely at his typewriter, vigorously typing away what he would consider his magnum opus novel. Not surprisingly, in countless titanic masterworks of literature and music, the foreboding stormy night setting serves as a metaphor and eloquent dropback for a stormy situation within the drama of the story. Such is the case with Gaetano Donzietti’s epic magnum opus, Lucia di Lammermoor.
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2-Oct-2010
Lincoln Center: Metropolitan Opera House
Met's 'Hoffmann' is Satisfying Fare
Image credit: Marty Sohl / Metropolitan OperaThose who like their opera off-kilter will revel in the Metropolitan Opera’s Les Contes d'Hoffmann, an opera in three acts (with prologue and epilogue) by Jacques Offenbach. The Met production was heavily operetta à la Offenbach—risqué, and at times, erotic.
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