| Date and venue | Title |
|---|---|
| 23-Feb-2013 St George's Bristol | The divine and the worldly: Exultate Singers at St George's Bristol |
 Choral concerts often have programmes that read like compilation CDs. I don’t mean this negatively: there are countless reasons why a greater number of contrasting pieces is required – timbral, textual, temporal, contextual, historical, and so on. The programme of motets and madrigals, old and new, for Exultate Singers’ A Sense of the Divine concert would entice many a CD collector and concert-goer alike. Exultate are a rising star in the choral world and the choir’s brilliance in this concert sang of its continued ascension.Read full review... | |
| 19-May-2012 St Pancras Parish Church | Exultate Singers in Roxanna Panufnik Premières |
 Contemporary religious music can seem to exist in a different world to the rest of contemporary music, and rarely since Messiaen was in his prime has there been much evidence of it as a really progressive wing of composition. But unlike much new music, new religious music is often written with a clear sense of purpose in mind, particularly when it is intended specifically for liturgical use – and so accusing it of not being wildly bold in terms of style is sort of missing the point. This Saturday evening's concert, part of the London Festival of Contemporary Church Music, was an excellent introduction to several rewarding sacred works.Read full review... | |
| 25-Feb-2012 St George's Bristol | Singing the London Underground: The Exultate Singers at St George's |
 A celebration of London with a tube map as a programme. What better way to celebrate 2012 and the coming of the Olympics? From Thomas Tallis’ Spem in Alium to Lionel Bart’s ‘Who Will Buy?’ from Oliver!, the night’s performance was not short of variety.
Read full review... | |
