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About Alex Esposito

See 16 performances featuring Alex Esposito
Voice type: Bass
Future engagements in our database:
Past performances in our database:
Alidoro in La Cenerentola (Cinderella) (Opéra de Paris, 2011)
Alidoro in La Cenerentola (Cinderella) (Bavarian State Opera, 2012)
Figaro in The Marriage of Figaro (Opéra de Paris, 2012)
Guglielmo in Così fan tutte (Théâtre du Capitole, 2011)
Leporello in Don Giovanni (Vienna State Opera, 2010)
Leporello in Don Giovanni (Vienna State Opera, 2011)
Leporello in Don Giovanni (Teatro alla Scala, 2010)
Leporello in Don Giovanni (Deutsche Oper Berlin, 2010)
Leporello in Don Giovanni (Bavarian State Opera, 2010)
Leporello in Don Giovanni (Théâtre du Capitole, 2013)
Leporello in Don Giovanni (Bavarian State Opera, 2013)
Leporello in Don Giovanni (Royal Opera, 2012)
Leporello in Don Giovanni (Bavarian State Opera, 2011)
Leporello in Don Giovanni (Bavarian State Opera, 2009)
Papageno in The Magic Flute (Teatro alla Scala, 2011)
Papageno in The Magic Flute (Bavarian State Opera, 2012)
Papageno in The Magic Flute (Teatro alla Scala, 2011)
Selim in Il turco in Italia (the Turk in Italy) (De Nederlandse Opera, 2012)

Read our reviews

Date and venueTitle
7-Jun-2012
National Theatre
La Cenerentola at the Bavarian State Opera
Image credit: Joyce DiDonato © Sheila RockShortly after Rossini's success with The Barber of Seville came La Cenerentola, a reworking of the Cinderella fairy tale, but with a little less magic, and a lot more worldly comedy. It was an instant success and further established the 25-year-old Rossini as one of the greatest Italian opera composers of his day. Today it is one of Rossini's most performed operas, and has retained the freshness and joie de vivre which it doubtless had at its 1817 première.
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16-Feb-2012
Royal Opera House, Covent Garden
Schrott thrills in a mixed Don Giovanni
Image credit: Kate Lindsey as Zerlina and Erwin Schrott as Don Giovanni © ROH 2012 / Mike HobanIt's the most spectacular entrance in opera: the giant stone statue bursts in to join Don Giovanni at the dinner table; a pair of sweeping downward octave swoops in D minor fills the audience (and the hapless Leporello) with terror at the rake's imminent descent into hell.
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