| Date and venue | Title |
|---|---|
| 25-Nov-2012 The Royal Conservatory of Music, TELUS Centre, Koerner Hall | The soul of Bach: Piotr Anderszewski at Koerner Hall |
 Piotr Anderszewski seated himself on a chair without any fuss and eased into the Allemande of Bach’s French Suite no. 5 in G with a soft touch. His rounded notes, subdued in the left hand, not too sparkly in the right, were as far as you could get from the quirky, angular style of Glenn Gould, who rules in Toronto, his home turf. However, as Anderszewski’s hands danced in imitation of each other through the Courante into the famous Sarabande, preternatural tenderness, heartbreak, and a soulful magic cast a glamour over the hall.Read full review... | |
| 19-Nov-2012 Hong Kong Cultural Centre: Concert Hall | The soundworld of Bach and Schumann according to Piotr Anderszewski in Hong Kong |
.jpg) At age 43, Polish pianist Piotr Anderszewski is known for his sensitive touch, technical versatility and probing musicianship, with a wide repertory that spans the works of Bach, Beethoven, Chopin, Janáček, Schumann and Szymanowski, among others. As part of the Leisure and Culture Services Department’s “Encore” series, Anderszewski made an important return to Hong Kong in a solo recital last month, devoted to the works of Bach and Schumann.
Read full review... | |
| 14-Dec-2010 Barbican Centre: Hall | Anderszewski surprises his audience |
 Pianist Piotr Anderszewski’s recital at the Barbican Centre had a surprise up the sleeve even before it started. As the audience entered the hall, Anderszewski, in casual dress, was already on the stage, sitting on a sofa placed by the piano and reading a book with a mug of tea in his hand. It was as if we were invited into his living room! Anderszewski is known to be a bit of a maverick, but this was certainly a novel approach. Did he want to create a relaxed and intimate space for his programme of Bach and Schumann, and also create a closer relationship between him and the audience?Read full review... | |
