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About Gale Edwards


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Date and venueTitle
22-Mar-2013
Handa Opera, Sydney Harbour
Opera Australia's Carmen lights up Sydney's harbour
Image credit: Opening night of Carmen on Sydney Harbour © James MorganThere can be fewer more idyllic places in the world to see an opera. Behind the floating stage was Sydney’s harbour bridge and opera house; to the left, the lights of the central business district; and to the right, the glittering lights of the Northern Shore and the occasional ferry making its way to Circular Quay. With last year’s Handa Opera on the Harbour, Verdi’s La Traviata having been named 2012 Australian event of the year, this year’s opera – Bizet’s Carmen – was highly anticipated.
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12-Oct-2012
Sydney Opera House: Opera Theatre
Heady stuff: A visceral production of Salome at Sydney Opera House
Image credit: Cheryl Barker as Salome reclining with the head of Jokannan © Lisa TomasettiSalome was a huge, scandalous success at its 1905 première, and stagings of this, Richard Strauss’ third opera, have continued to shock audiences over the past century. This is hardly to be wondered at: after all, the title character’s final monologue ends with her kissing the severed head of John the Baptist, whom she has had executed for spurning her advances. The trifecta of religion, sex and violence was very much to the fore in Opera Australia’s new production, designed by Gale Edwards and her colleagues, which amped up the brutality and raunchiness considerably.
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19-Sep-2011
Sydney Opera House: Opera Theatre
Opera Australia’s latest La Bohème stands tall among the rest
Image credit: Taryn Fiebig © Jeff BusbyAfter the untimely passing of Salvatore Licitra, touted the “new Pavarotti”, in a motor-scooter accident earlier this month, I hardly dare suggest anyone as potential successor to the lyric tenor of the finest Italian tradition, lest he be jinxed. Yet, I would be doing a great disservice to Mexican tenor Diego Torre if I didn’t even make a passing mention of his possible candidacy.
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