| Date and venue | Title |
|---|---|
| 21-Oct-2012 Opéra Bastille | An operatic high-note: Donizetti's La Fille du Régiment comes home to Paris |
 From time to time, audiences are presented with what I consider to be a rare event, a “dream” performer: one so convincing in his or her role that they become an ideal, establishing a standard to which all following interpretations will inevitably be compared – for example, Jacqueline du Pré’s interpretation of Elgar’s Cello Concerto has become a timeless benchmark.
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