| Date and venue | Title |
|---|---|
| 12-Oct-2012 Sydney Opera House: Opera Theatre | Heady stuff: A visceral production of Salome at Sydney Opera House |
 Salome was a huge, scandalous success at its 1905 première, and stagings of this, Richard Strauss’ third opera, have continued to shock audiences over the past century. This is hardly to be wondered at: after all, the title character’s final monologue ends with her kissing the severed head of John the Baptist, whom she has had executed for spurning her advances. The trifecta of religion, sex and violence was very much to the fore in Opera Australia’s new production, designed by Gale Edwards and her colleagues, which amped up the brutality and raunchiness considerably.Read full review... | |
| 14-Feb-2012 Sydney Opera House: Opera Theatre | The power of love: Opera Australia's Turandot |
 in Opera Australias Turandot SS12 ©Branco Gaica (121).jpg) Opera Australia pulled out all the stops for their latest production of Puccini’s Turandot: an excellent cast, fabulous choreography, amazing costumes and a great sense of drama all combined to make it a wonderful production at Sydney Opera House. The Opera Theatre is comparatively small by modern standards and is a very intimate venue in which to see an opera. It has the effect of enveloping the audience and drawing them right into the action.Read full review... | |
| 30-Mar-2010 Sydney Opera House: Opera Theatre | Pure Bliss |
| Much anticipated, ten years in the making, interrupted by some fairly momentous bumpy bits at Opera Australia such as the removal of Music Director Simone Young who comissionned the work in the first place, Bliss has finally arrived. And the good news is that audiences in Sydney received it warmly: the season of just five performances sold out.
Read full review... | |
