|Date and venue||Title|
Carnegie Hall: Stern Auditorium/Perelman Stage
|Bellini's Beatrice di Tenda never takes off at Carnegie Hall|
|The prefab riffs of computer programs like GarageBand aren’t entirely new. As shown by the musicologist Robert Gjerdingen, many 18th- and early 19th-century composers used pedagogical materials as a basis for their compositions, “composing out” passages in creative ways. But this method is not something the ordinary listener is supposed to recognize.|
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