Voice type: Baritone
Future engagements in our database:
Past performances in our database:
Belcore in L'Elisir d'Amore (Zurich Opera, 2011)
Escamillo in Carmen (Zurich Opera, 2012)
Escamillo in Carmen (Zurich Opera, 2010)
Figaro in The Barber of Seville (Zurich Opera, 2011)
Figaro in The Barber of Seville (Zurich Opera, 2009)
Figaro in The Barber of Seville (Zurich Opera, 2010)
Figaro in The Barber of Seville (Hamburg State Opera, 2010)
Figaro in The Barber of Seville (Zurich Opera, 2011)
Ford in Falstaff (Zurich Opera, 2011)
Ford in Falstaff (Zurich Opera, 2013)
Ford in Falstaff (Zurich Opera, 2012)
Ford in Falstaff (Teatro alla Scala, 2013)
Marcello in La Bohème (Zurich Opera, 2012)
Marcello in La Bohème (La Monnaie | De Munt, 2010)
Marcello in La Bohème (Zurich Opera, 2009)
Marcello in La Bohème (Zurich Opera, 2010)
Marcello in La Bohème (Zurich Opera, 2013)
Marcello in La Bohème (Zurich Opera, 2011)
Paolo Albiani in Simon Boccanegra (Teatro alla Scala, 2010)
Paolo Albiani in Simon Boccanegra (Zurich Opera, 2012)
Paolo Albiani in Simon Boccanegra (Zurich Opera, 2010)
Paolo Albiani in Simon Boccanegra (Teatro alla Scala, 2010)
Paolo Albiani in Simon Boccanegra (Zurich Opera, 2009)
Procolo in Conventions and Inconveniences of the Stage (Zurich Opera, 2011)
Procolo in Conventions and Inconveniences of the Stage (Zurich Opera, 2012)
Rodrigo, Marquis of Posa in Don Carlos (Zurich Opera, 2012)
Ruggiero in La Juive (Zurich Opera, 2011)
Schaunard in La Bohème (Teatro alla Scala, 2012)
Schaunard in La Bohème (Metropolitan Opera, 2010)
Severo in Poliuto (Zurich Opera, 2012)
When Salzburg Festival director Alexander Pereira stepped onto the stage of the Großes Festspielhaus last night to announce that one of the cast members of La bohème was sick and unable to sing, he faced a chorus of hisses from the audience. Soprano Anna Netrebko, the festival’s biggest non-conductor star, was feeling fine (though as Mimì she would shortly die of consumption). But the excellent tenor Piotr Beczala had decided a mere ten minutes earlier that his vocal cords would not be up to singing Rodolfo that night. We would have to wait forty minutes for a replacement.
