| Date and venue | Title |
|---|---|
| 2-May-2013 Lincoln Center: Metropolitan Opera House | Götterdämmerung at the Met |
 The word Götterdämmerung contextually translated becomes “twilight of the gods”, and Thursday night’s story was indeed full of endings: the conclusion of the saga of the ring and the end of several lives, human and god alike.
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| 24-Mar-2013 La Maison Symphonique de Montréal | Verdi's Requiem with Yannick Nézet-Séguin and L'Orchestre Métropolitain |
 If you were to measure the potency of this afternoon’s concert of Verdi’s Requiem by the sheer number of grown men weeping at the end, I’d say it was an unparalleled success. In fact, after that grandiose musical testament, operatic in scope, the applause was nearly endless and every soul in the hall rose to stand.
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| 5-Jan-2013 Lincoln Center: Metropolitan Opera House | The Met in HD: Hymel is the hero in Berlioz's epic Les Troyens |
 It’s very difficult to write about Berlioz’s Les Troyens without mentioning its length. Tonight’s cinema screening of Fransesca Zambello’s lush production was billed at 341 minutes – that’s 5.6 hours. But beamed live from the Metropolitan Opera in New York, those 5.6 hours entailed spectacular operatic entertainment. Several times larger than life, even the indulgent or unnecessarily long episodes (of which there are many) were engrossing.
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| 24-Oct-2012 Royal Opera House, Covent Garden | The cycle concludes: Götterdämmerung at the Royal Opera |
 Monumental in scale and scope, Götterdämmerung is a work to which it is hard to be indifferent. For many, the idea of an evening of fantasy opera lasting nearly seven hours is unimaginable, so uncongenial is the subject material and so great the attention span demanded. For Wagner fans - and Ring fans in particular - it's a riveting theatrical and musical experience, the zenith of opera as an art form. Last night at Covent Garden was my first live Götterdämmerung, spent in the company of around three thousand of those fans.
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