| Date and venue | Title |
|---|---|
| 6-Mar-2013 İş Sanat | An exemplary partnership: Emmanuel Pahud and Franz Liszt Chamber Orchestra in Istanbul |
 Franz Liszt Chamber Orchestra is no stranger when it comes to working with world-renowned soloists – their earlier collaborative roster includes the likes of Sviatoslav Richter, Menuhin, Rostropovich et al, but their rapport with Emmanuel Pahud is something that transcends musical partnership and wanders into the organically-knit companionship territory. The program chosen for this evening kept one foot firmly rooted in staples of Baroque, while stretching its legs wide enough to reach lesser-known works from later eras.
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| 13-Feb-2013 Théâtre Rialto | Classical music revisited with Collectif 9 |
 The string nonet Collectif 9 offers its public something truly as valuable as it is rare: classical repertoire “revisited with passion and fearlessness”. They are a group of very young and fiercely talented string players, many of whom play in the city’s professional orchestras. They enthusiastically align themselves with the growing movement called Classical Revolution which seeks to bring “art music” to a variety of venues and audiences with the goal of obliterating the stigmas of musty conventionalism and tradition far too often associated with the genre.
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| 6-Jan-2012 Queen's Hall, Edinburgh | Brandenburg/Cantata Series I: Dunedin Consort at Edinburgh's Queen's Hall |
 There's nothing like a Brandenburg to blow away Christmas cobwebs. Alongside contrasting cantatas, the Dunedin Consort offered the 3rd and 5th from Bach's 1721 set of six concerti grossi. This made for a compact and nicely balanced programme, contrasting the sacred with the secular and vocal with purely instrumental timbres.
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| 15-Dec-2011 Carnegie Hall: Stern Auditorium/Perelman Stage | Messiaen and Bach at Carnegie Hall |
 Robert Spano conducted the Orchestra of St. Luke's and the Atlanta Symphony Orchestra Chamber Chorus in an ambitious concert in Stern Auditorium at Carnegie Hall. The results were as mixed as the programming, which featured J.S. Bach's Brandenburg Concerto no. 3 and Magnificat, alongside Messiaen's Trois petites liturgies de la Présence Divine.
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