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About Anna Bonitatibus

See 14 performances featuring Anna Bonitatibus
Voice type: Mezzo-soprano
Future engagements in our database:
Past performances in our database:
Cherubino in The Marriage of Figaro (Bavarian State Opera, 2010)
Cherubino in The Marriage of Figaro (Royal Opera, 2012)
Cherubino in The Marriage of Figaro (Vienna State Opera, 2011)
Didone in La Didone (Théâtre des Champs-Elysées, 2012)
Dorabella in Così fan tutte (Zurich Opera, 2009)
Dorabella in Così fan tutte (Zurich Opera, 2010)
Isabella in L'italiana in Algeri (The Italian Girl in Algiers) (Opéra de Lausanne, 2010)
Ottavia in L'incoronazione di Poppea, SV 308 (Madrid Opera, 2010)
Propserpine in L'Orfeo (Orpheus), SV 318 (Théâtre des Champs-Elysées, 2012)
Rosina in The Barber of Seville (Bavarian State Opera, 2011)
Rosina in The Barber of Seville (Vienna State Opera, 2010)
Rosina in The Barber of Seville (Vienna State Opera, 2011)
Sesto in La clemenza di Tito (Zurich Opera, 2010)
Sifare in Mitridate, Rè di Ponto (Bavarian State Opera, 2011)
Sifare in Mitridate, Rè di Ponto (Bavarian State Opera, 2012)

Read our reviews

Date and venueTitle
27-Apr-2013
Philharmonic Hall
Rossini's not-so-petite Messe Solennelle with the RLPO and Ottavio Dantone
Image credit: Royal Liverpool Philharmonic OrchestraThough Rossini’s name is synonymous with 19th-century comic opera, his contribution to sacred music is not inconsiderable; a sizeable collection of masses, hymns and cantatas reach the pinnacle of their popularity in two works that still make an entertaining evening in the concert hall or church. The first is the Stabat Mater of 1832 (revised 1841), and the second is the Petite Messe Solennelle of 1863 (revised 1867).
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20-Jul-2012
Prinzregententheater
Mozart's Mitridate in Munich through a child's eyes
Image credit: Lawrence Zazzo (Farnace) © Wilfried HöslMozart wrote the opera seria Mitridate at the age of fifteen. The Bayerische Staatsoper’s clever and strangely beautiful production positions it as the work of a child, full of rebellious teenagers and projected scenery seemingly drawn from a primary school art class. But unfortunately even excellent singing and much directorial invention cannot disguise that this is a rather bland opera, and its four hours pass slowly.
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11-Feb-2012
Royal Opera House, Covent Garden
Figaro's wedding makes perfect comedy
Image credit: Aleksandra Kurzak as Susanna, Ildebrando dThere's no such thing as a perfect comic opera, and I know it's wrong to describe any work of art as perfect. But seeing Mozart and da Ponte's Le Nozze di Figaro last night, I found this a difficult principle to accept: this opera is about as close as you can get.
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