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About Joshua Bloom

See 5 performances featuring Joshua Bloom
Voice type: Bass-baritone
Future engagements in our database:
Past performances in our database:
Cesare Angelotti in Tosca (Los Angeles Opera, 2013)
Count Rodolfo in La Sonnambula (Opera Australia, 2010)
Figaro in The Marriage of Figaro (Opera Australia, 2012)
Leporello in Don Giovanni (Garsington Opera Company, 2012)
Masetto in Don Giovanni (Metropolitan Opera, 2011)
Masetto in Don Giovanni (Opéra de Dijon, 2013)
Masetto in Don Giovanni (Metropolitan Opera, 2011)

Read our reviews

Date and venueTitle
2-Jun-2012
Garsington Opera
Ottavio's Revenge: Don Giovanni at Garsington Opera
Image credit: Garsington Opera, Don Giovanni 2012: Grant Doyle (Giovanni), Mary Bevan (Zerlina), Sophie Bevan (Elvira) © Mike HobanA trip to the opera at Garsington in its new, idyllic setting at Wormsley Estate, Buckinghamshire, is a fine treat even in the rain. And with a Don Giovanni production which, despite plenty of oddities, is light-hearted and often witty, an excellent evening of high-class entertainment is guaranteed.
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26-Apr-2012
Barbican Centre: Hall
Gerald Barry's The Importance of Being Earnest at the Barbican
Image credit: Gerald Barry and Thomas Adès in the Barbican © Katie HenfryThe Importance of Being Earnest is Gerald Barry’s fourth full-length opera; his previous three have set texts much more at home in the opera world than this ambitious libretto from Wilde’s famous play. I approached this concert staging of the work with intrigue, but not a little trepidation – setting a text like this is bold and ensures bums on seats, but has its fair share of pitfalls, although Barry, mostly, avoids them.
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28-Feb-2012
Sydney Opera House: Opera Theatre
Opera Australia: The Marriage of Figaro with a difference
Image credit: Michael Lewis (Count Almaviva), Taryn Fiebig (Susanna), Dominica Matthews (Cherubino), © Branco GaicaFrom the opening bars of the Overture of Opera Australia’s production of Mozart’s The Marriage of Figaro it was clear that this was going to be a production with a difference. As the orchestra began, the curtain raised to reveal a room, painted in brilliant white, with clothes rails at either end containing maids’ costumes. Gradually the maids entered in their modern clothing and began undressing and putting on their maids’ uniforms, hanging up their jeans and t-shirts on the coat hangers.
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