The world's best way to find live classical music

About Mary Bevan

Voice type: Soprano
Past performances in our database:
Despina in Così fan tutte (Royal Academy Opera, 2010)
Despina in Così fan tutte (Royal Academy Opera, 2010)
Lila in The Firework-Maker's Daughter (The Opera Group, 2013)
Tamiri in Il rè pastore, K208 (Classical Opera, 2011)
Yum-Yum in The Mikado (English National Opera, 2013)
Yum-Yum in The Mikado (English National Opera, 2012)
Zerlina in Don Giovanni (Garsington Opera Company, 2012)

Read our reviews

Date and venueTitle
2-Jun-2012
Garsington Opera
Ottavio's Revenge: Don Giovanni at Garsington Opera
Image credit: Garsington Opera, Don Giovanni 2012: Grant Doyle (Giovanni), Mary Bevan (Zerlina), Sophie Bevan (Elvira) © Mike HobanA trip to the opera at Garsington in its new, idyllic setting at Wormsley Estate, Buckinghamshire, is a fine treat even in the rain. And with a Don Giovanni production which, despite plenty of oddities, is light-hearted and often witty, an excellent evening of high-class entertainment is guaranteed.
Read full review...
12-Nov-2011
Kings Place: Hall One
Youthful singing bring out the charm in Mozart's Il re pastore
Image credit: © Classical Opera CompanyIan Page and the Classical Opera Company have made a specialty of performing early Mozart operas and at the weekend, they gave two performances of his two-act serenata, Il re pastore as part of the series “Mozart Unwrapped” at Kings Place. The Classical Opera Company is known for their Associate Artist scheme where they nurture and give experience to talented young singers and several of them have already made it to the international stage.
Read full review...
10-Jul-2011
Royal Albert Hall
A Really Big Carmina Burana
Image credit: Ann MonroThose of us who are regulars at the Royal Albert Hall know how difficult it can be for an orchestra and choir to really fill that enormous space with sound. The Really Big Chorus have a simple recipe for this: start with a choir with 1,500 members, add some top class soloists, lightly amplified, then add an orchestra whom someone has clearly briefed with the sentence "when I say fortissimo, I mean fortissimo." Oh, and by the way, choose a choral work with the highest impact beginning and end that anyone's ever written - Carl Orff's Carmina Burana.
Read full review...
27-Jun-2011
The London Coliseum
Two Boys, ENO
Image credit: © Richard Hubert-SmithIt's about time someone wrote an opera about the internet. And who better than Nico Muhly - snarky blogger, snappy Tweeter, and according to the Daily Telegraph "the hottest young composer around"? Add seasoned playwright Craig Lucas, top Broadway director Bartlett Sher and some of Britain's finest singers, and you might expect them to cook up a success. The ingredients do sound promising, but the souffle fails to rise.
Read full review...
More...

bachtracklogo

Any comments about the site? Send us a message using contact us.
To list events on this site (free of charge) or to learn about advertising with us, please click here.
If you like the site and have a relevant website of your own, we'd love you to link to us.