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About Beethoven, Ludwig van (1770-1827)

See 772 performances with music by Beethoven, Ludwig van (1770-1827)See 17 video-on-demand performances with music by Beethoven, Ludwig van (1770-1827)
Country of birth: Germany
Period: Romantic

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Date and venueTitle
17-May-2013
Dr Anton Philipszaal
Thrills and introspection from the Residentie Orkest with Santtu-Matias Rouvali and Wibi Soerjadi
Image credit: Santtu-Matias Rouvali © Kaapo KamuUnder conductor Santtu-Matias Rouvali, the Residentie Orkest presented an exuberant programme of perennial favourites including Mendelssohn’s Hebrides Ouverture, Chopin’s Piano Concerto no. 1 with soloist Wibi Soerjadi, and Beethoven’s Symphony no. 7.
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15-May-2013
Chicago Symphony Center
Yo-Yo Ma and company entertain at Chicago Symphony Center
Image credit: © Michael OYo-Yo Ma, currently the Judson and Joyce Green Creative Consultant for the Chicago Symphony Orchestra, along with members from the same orchestra and the Civic Orchestra of Chicago, took the stage at Symphony Center for a single night last Wednesday.
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10-May-2013
Sydney Opera House: Concert Hall
Expertly crafted Beethoven by Ashkenzy and the Sydney Symphony Orchestra
Image credit: Ashkenazy conducts the Sydney Symphony © Brendan ReadThere are only a handful of composers whose music can provide enough variety to last a whole program. Beethoven is one of those composers. Not only that, but even today, some 200 years after his lifetime, his music continues to inspire, delight and challenge modern audiences. That is part of Beethoven’s enduring genius and legacy.
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7-May-2013
La Maison Symphonique de Montréal
Itzhak Perlman plays Beethoven, Franck and Tartini in Montréal
Image credit: Itzhak Perlman © Akira KinoshitaItzhak Perlman is certainly one of the most venerated recitalists alive today. Already at age thirteen he was making himself known to a wide American audience on the Ed Sullivan Show, and has since graced the stages of all the world’s greatest concert halls. He’s no stranger to Montréal, either. The violinist joked as he read a list of encores: “This is a computerized list of everything I’ve played in Montréal since 1912. In case you were here in 1912, I don’t want you to hear the same piece twice.”
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