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About Clive Bayley

See 21 performances featuring Clive Bayley
Voice type: Bass-baritone
Future engagements in our database:
Past performances in our database:
Bluebeard in Duke Bluebeard's Castle (English National Opera, 2009)
Daland in Der fliegende Holländer (English National Opera, 2012)
Dikoi in Katya Kabanova (Welsh National Opera, 2011)
Dikoi in Katya Kabanova (Welsh National Opera, 2011)
Doctor in Wozzeck (Bavarian State Opera, 2010)
Doctor in Wozzeck (Bavarian State Opera, 2012)
Don Basilio in The Barber of Seville (Welsh National Opera, 2011)
Don Basilio in The Barber of Seville (Welsh National Opera, 2011)
John Claggart in Billy Budd (Oper Frankfurt, 2010)
King Marke in Tristan and Isolde (Grange Park Opera, 2011)
King Marke in Tristan and Isolde (Grange Park Opera, 2011)
King of Clubs in The Love for Three Oranges, Op.33 (Grange Park Opera, 2010)
Lindorff/Coppélius/Miracle/Dapertutto in Tales of Hoffmann (English National Opera, 2012)
Osmin in Die Entführung aus dem Serail (Opera North, 2009)
Raimondo in Lucia di Lammermoor (English National Opera, 2010)
Rocco in Fidelio (Welsh National Opera, 2010)
Sir Walter Raleigh in Gloriana (Hamburg State Opera, 2013)
Trulove in The Rake's Progress (Glyndebourne Opera, 2010)
Vodnik, the water goblin in Rusalka (Grange Park Opera, 2011)
Vodnik, the water goblin in Rusalka (Grange Park Opera, 2011)

Read our reviews

Date and venueTitle
30-Mar-2013
Staatsoper
New Britten production in Hamburg: Gloriana as a village pageant
Image credit: Jun-Sang Han (The Spirit of the Masque), Hannah Sofo (Concord, Tänzerin der Ballettschule des Hamburg Ballett – John Neumeier), Dann Wilkinson (Time, Tänzer der Ballettschule des Hamburg Ballett – John Neumeier), Mélissa Petit (A Lady-in-Waiting), RichardBritish director Richard Jones is well known for his bold, modern and often controversial takes on operatic repertoire. So I was very curious to see what surprising ideas he would come up with in directing Britten’s rarely performed opera Gloriana, originally composed in honour of the coronation of Queen Elizabeth II in 1953. 60 years on, this new production opened on 24 March at the Hamburg State Opera, and will travel to the Royal Opera House in June.
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10-Aug-2012
Royal Albert Hall
Prom 37: Elgar's The Apostles with The Hallé
Image credit: Sir Mark Elder © Simon DoddsIf you’ve never been to a grand-scale choral work at the Royal Albert Hall, I’d urge you to do so at the earliest opportunity. This wasn’t my first visit to the Proms, and I’ve experienced oratorios, requiems and passions galore in other places, but to hear hundreds of accomplished singers filling this vast circular space was new territory for me. The hall seemed made for the occasion.
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16-Jun-2012
Leeds Town Hall
Opera North: Die Walküre
Image credit: Béla Perencz as Wotan and conductor Richard Farnes © Clive BardaOpera North’s concert staging of Wagner’s Ring Cycle continued last night with Die Walküre, the “first night” proper of the cycle after the “preliminary evening” of Das Rheingold. Following the godly power struggles that play out in Das Rheingold, there is a change of emphasis in Die Walküre, which takes us into an intense family drama – of the fourteen singers, one is Wotan himself, then there are his ten daughters, his son and his wife: only Hunding, Sieglinde’s wronged husband, is outside the clan.
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6-Jun-2012
National Theatre
Andreas Kriegenburg's Wozzeck: A true masterpiece
Image credit: Michael Volle (Wozzeck), Francesco Petrozzi (2nd Workman) © Wilfried HöslThe plight of the introvert, stigmatised by society despite the many benefits of their contemplative natures and inner strength, is an important part of the contemporary Zeitgeist, but it is in fact nothing new. In the early to mid 20th century, fuelled by Freud and psychoanalysis, this concept was particularly strong, and fed into the works of artists of many different stripes, producing some of the greatest works of 20th-century opera.
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