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About Cecilia Bartoli

See 11 performances featuring Cecilia Bartoli
Voice type: Mezzo-soprano
Future engagements in our database:
Past performances in our database:
Angelina (Cinderella) in La Cenerentola (Cinderella) (Zurich Opera, 2009)
Angelina (Cinderella) in La Cenerentola (Cinderella) (Zurich Opera, 2010)
Countess Adèle in Le Comte Ory (Zurich Opera, 2012)
Countess Adèle in Le Comte Ory (Zurich Opera, 2011)
Countess Adèle in Le Comte Ory (Zurich Opera, 2011)
Desdemona in Otello (Zurich Opera, 2012)
Despina in Così fan tutte (Metropolitan Opera, 1996)
Semele in Semele, HWV 58 (Theater an der Wien, 2010)
Susanna in The Marriage of Figaro (Metropolitan Opera, 1998)

Read our reviews

Date and venueTitle
25-Aug-2012
Haus für Mozart
Giulio Cesare in Salzburg
Image credit: Cecilia Bartoli and Andreas Scholl © Hans Jörg MichelGiulio Cesare, an opera populated with manipulative characters that only interact with each other when shared interests are at stake, is a receptive vessel for a scornful indictment of imperialism and the dubious alliances it forges. With recourse to the obvious present-day target it is perhaps also a concept already fully mined by Peter Sellars, who in the late 1980s presented Caesar as a high-handed U.S. president out to further American interests in the Middle East, and revisited themes of Western moral hypocrisy in his 1996 Glyndebourne staging of Theodora.
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