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About Cheryl Barker

See 4 performances featuring Cheryl Barker
Voice type: Soprano
Future engagements in our database:
Past performances in our database:
Arabella (Opera Australia, 2008)
Cio Cio San (Madama Butterfly) in Madama Butterfly (Opera Australia, 2009)
Cio Cio San (Madama Butterfly) in Madama Butterfly (Welsh National Opera, 2013)
Cio Cio San (Madama Butterfly) in Madama Butterfly (Opera Australia, 2008)
Emilia Marty / Elina Makropoulos in Makropulos Affair (Opéra National du Rhin, 2011)
Emilia Marty / Elina Makropoulos in Makropulos Affair (De Nederlandse Opera, 2009)
Emilia Marty / Elina Makropoulos in Makropulos Affair (Opera Australia, 2008)
Feldmarschallin in Der Rosenkavalier (Opera Australia, 2010)
Floria Tosca in Tosca (Opera Australia, 2010)
Manon Lescaut (Opera Australia, 2009)
Marietta in Die Tote Stadt (The Dead City) (Opera Australia, 2012)
Salome (Opera Australia, 2012)
The countess in Capriccio (Opera Australia, 2011)

Read our reviews

Date and venueTitle
12-Oct-2012
Sydney Opera House: Opera Theatre
Heady stuff: A visceral production of Salome at Sydney Opera House
Image credit: Cheryl Barker as Salome reclining with the head of Jokannan © Lisa TomasettiSalome was a huge, scandalous success at its 1905 première, and stagings of this, Richard Strauss’ third opera, have continued to shock audiences over the past century. This is hardly to be wondered at: after all, the title character’s final monologue ends with her kissing the severed head of John the Baptist, whom she has had executed for spurning her advances. The trifecta of religion, sex and violence was very much to the fore in Opera Australia’s new production, designed by Gale Edwards and her colleagues, which amped up the brutality and raunchiness considerably.
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18-Jul-2012
Sydney Opera House: Opera Theatre
Opera Australia pushes boundaries with Korngold's Die tote Stadt
Image credit: Cheryl Barker as Marie or Mariette with perfoming artists of Opera Australia © Lisa TomasettiKorngold’s Die tote Stadt is an extraordinary opera, an often underrated masterpiece of the 20th century. On the face of it, it has a simple plot – the protagonist Paul, unable to overcome the death of his wife, falls in love with another woman, Marietta, similar to his dead wife in many ways. Overcome with feelings of guilt and betrayal, he eventual kills Marietta, only to wake up and discover it was all a dream. This is, however, a simple plot with deep contemporary resonances.
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