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About Jud Arthur

Voice type: Bass-baritone
Past performances in our database:
Banquo in Macbeth (Opera Australia, 2011)
Candy in Of Mice and Men (Opera Australia, 2011)
Candy in Of Mice and Men (Opera Australia, 2011)
Doctor Bartolo in The Marriage of Figaro (Opera Australia, 2012)
Don Basilio in The Barber of Seville (Opera Australia, 2011)
Don Basilio in The Barber of Seville (Opera Australia, 2011)
King of Egypt in Aida (Opera Australia, 2012)
Nourabad in The Pearl Fishers (Les Pêcheurs de Perles) (Opera Australia, 2012)
Nourabad in The Pearl Fishers (Les Pêcheurs de Perles) (Opera Australia, 2011)
Pistol in Falstaff (Opera Australia, 2013)
Timur in Turandot (Opera Australia, 2012)

Read our reviews

Date and venueTitle
15-Feb-2013
Sydney Opera House: Opera Theatre
A belly-full of laughs at Opera Australia's production of Verdi's Falstaff
Image credit: Warwick Fyfe as Falstaff © Branco GaicaTragedy seems to age better than comedy. The works of Aeschylus have been more influential than those of Aristophanes, and Shakespeare’s darker plays are far more popular than his pure comedies. This same propensity for gloomy subjects can also be seen in the opera world. With notable exceptions in the cases of Mozart and Rossini, the composers whose works are most frequently performed today tend to be better known for their tragedies than their lighter works: think of Puccini, Wagner, Bizet.
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24-Jul-2012
Sydney Opera House: Opera Theatre
Latonia Moore shines in Sydney Aida
Image credit: Opera AustraliaVirtually every reviewer of Aida mentions elephants, generally only to note their absence: the elephant not in the room, as it were. Like most others, the current Opera Australia production was lacking in pachyderms, but few of last night’s audience will have felt short-changed. We were treated to some of the most thrilling singing I have yet heard at the Sydney Opera House, in a production that was traditional but not unthinkingly so.
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9-Jul-2012
Sydney Opera House: Opera Theatre
Opera Australia's Pearl Fishers at Sydney Opera House
Image credit: Opera AustraliaGeorges Bizet's The Pearl Fishers, written some ten years before Carmen, does not enjoy as much recognition as the latter opera. Composed at the age of 25, the opera received harsh criticism from many contemporary critics, although not from Hector Berlioz, who clearly recognised something of Bizet's genius in the work. Many people know the celebrated Pearl Fishers' Duet from Act I; however, the rest of the opera is also a treasure trove of lyrical writing, endearing melodies and simply beautiful music.
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14-Feb-2012
Sydney Opera House: Opera Theatre
The power of love: Opera Australia's Turandot
Image credit: Rosario La Spina (Prince Calaf) in Opera AustraliaOpera Australia pulled out all the stops for their latest production of Puccini’s Turandot: an excellent cast, fabulous choreography, amazing costumes and a great sense of drama all combined to make it a wonderful production at Sydney Opera House. The Opera Theatre is comparatively small by modern standards and is a very intimate venue in which to see an opera. It has the effect of enveloping the audience and drawing them right into the action.
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