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About John Adams


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Date and venueTitle
24-Apr-2013
Carnegie Hall, Zankel Hall
Exploring the terrain of contemporary American Soundscapes at Zankel Hall
Image credit: John Adams © Margaretta MitchellOn Wednesday night, a group of young artists coached by John Adams and David Robertson warmed up on the stage of Carnegie Hall’s Zankel Hall. The snatches of the music we were about to hear – from cinematic melodies to jaunty dance-like snippets – jumbled together as one usually expects of a warm-up. But the mishmash of pitches and textures served as a sort of Cagean preface to the performance, which featured works by 20th-century American composers.
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14-Mar-2013
Barbican Centre: Hall
To make you think: LA Phil New Music Group with Dudamel and Adams at the Barbican
Image credit: Gustavo Dudamel conducting the Los Angeles Philharmonic New Music Group at the Barbican Centre © Mark AllanThe Barbican has scored itself something of a winner in securing the Los Angeles Philarmonic Orchestra to fulfil its International Associate Residency.
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26-Feb-2013
Walt Disney Concert Hall
LA Phil New Music Group plays Adams, Pereira, and Chin
Image credit: Unsuk Chin © EricRichmond/ArenaPALNew music was the main and sole dish that last Tuesday’s Green Umbrella Concert at Disney Hall laid out, but for some audience members their encounter with these works might not be their first. To paraphrase NBC’s late 1990s marketing for its prime-time TV summer reruns: “If you haven’t heard it, it’s new to you.” John Adams’ Son of Chamber Symphony was heard last December performed by the Los Angeles Chamber Orchestra, while Joseph Pereira’s Concerto for Percussion and Chamber Orchestra had its world première at Disney Hall just a little over a year ago.
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27-Jan-2013
Barbican Centre: Hall
Adams conducts Adams at the Barbican with the LSO and St Lawrence String Quartet
Image credit: John Adams © Christine AlicinoInspiration for a composition can come in many forms; a letter from Clara Schumann, the brutality of Stalin's police, growing deaf or hearing birdsong. The final concert of John Adams’ short residency at the Barbican focused on a more reverent strain of influence, however: the peculiar tendency for living composers to want to reference dead ones.
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