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About A Child of Our Time

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Date and venueTitle
1-May-2013
Southbank Centre: Royal Festival Hall
Ideas, ideals, and influences: A Child of Our Time at The Rest is Noise with the LPO and Wigglesworth
Image credit: Ryan Wigglesworth © Benjamin EalovegaSouthbank Centre’s The Rest is Noise festival has a number of strands of thought permeating its concerts. It explores the effects of war, sex and sexuality, politics, and race on some of the 20th century’s most important musical output. The underlying argument behind putting on this extraordinary series of events is that the music, much of which we know and love, cannot be understood properly without understanding the context in which it was written.
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26-Apr-2013
Philharmonie: Großer Saal
Hope in adversity: The Berlin Philharmonic and Radio Choir perform Tippett and Dean
Image credit: Sir John Tomlinson, Sir Simon Rattle and Brett Dean with the Berliner Philharmoniker © Sebastian HaenelProgramming is a delicate art, and one which is difficult to get right. However, it is one of Simon Rattle’s fortes, and this was clearly evident in Friday night’s concert. Both works on the programme, Brett Dean’s The Last Days of Socrates and Michael Tippett’s A Child of Our Time are large-scale oratorios dealing with difficult subject matter, and it is highly unusual to pair such works. But they both share one overarching theme: hope in the face of adversity. Though full of despair and sorrow, it is hope that draws both works to a close.
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1-Aug-2012
Royal Albert Hall
Prom 25: BBC Symphony Orchestra and BBC Proms Youth Choir with David Robertson
Image credit: David Robertson © Michael TamarroThe numerous links and connections between each of tonight’s pieces make this a very cleverly crafted programme, on paper at least. Unified by a theme of ‘reflection and questioning’, the concert is evenly balanced, with two open-ended, questioning pieces (Ives’ The Unanswered Question and Zimmermann’s Nobody knows de trouble I see are both left hanging, unable to find resolution) each followed by a more pensive piece (Barber’s immensely popular Adagio and Tippett’s contemplative A Child of Our Time respectively).
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